CORPS/NON-LIEU is a performance which involves the body of the public public and the space. It questions the place of the body in the public space, by exploring the point of view of the central figure: the security camera, that is the outside eye, the symbol of the contemporary obsession to spy on the dumb image which we produce by living. The narrative tools of CORPS/NON-LIEU are; ballet dance executed on the asphalt, contemporary dance in dumping in the public, the video projection of the live image by a security camera, and the sound as the immediate translation of this image, allowed by a specific program developed for the project.

” What is the world that reveal the security cameras? This parallel space – or perpendicular? – in the one in which we evolve recover of e that the anthropologist Marc Augé indicates as ” non-lieu “, pushing even farther the consequences of this definition, the company Pulso de Rocio Berenguer questions the normalization of bodies in the public place by exploring that would be intimate non-lieux. Corps/Non-lieu is articulated around three modules with as central figure the camera. Thanks to the technique of the tracking, the movements of the dancers seized by the objective of the camera, they introduce a sound and graphic translation in real time. By his closeness with the dancers, the spectator is involved in this conversion process where the reality does not stop falling over to a becoming virtual. ” HLT, Inrockuptibles.

Prize-winner first prize to the Festival Internationale Bains Numériques, Paris.